Your Title Here

I apologize for not writing a column last week. I had family visiting, and that took up most, if not all of my free time. It was a good visit though.

This week we are going to be a little more idiosyncratic and less theoretical than we have previously. I mentioned in my prologemena that I would be talking about my own efforts as a fabulist, in addition to those of the Masters. I understand that the appeal of this is less than it might otherwise be, but there you go. I never promised insightful theoretical posts every week.

I love titles (as in noble titles, not as in what one calls an opus). Always have. Because of this I often make up grandiose titles for myself and for others. For example:

His Imperial Majesty, Avram Richard Shannon, Lord of the Whole Earth, Emperor of the French and Attendant Territories, Great Khan of the Golden Khaganate, Protector of the Oceans, and Commander in Cheif of the Grand Army.

For that one, I borrowed a bit from a Bonaparte, but again, the point was to sound grand and important. I know this a little bit silly of me, but I never claimed not be a silly man. The upshot of this is that for my own fantasy world, Henryon, the various titles are important. Often, I will make up a characters titles before I make up the character. In many cases a story element will come out of a specific title I choose. Sometimes, I make up a title for my friends or family, which are then attached to characters (this is a throwback to the days when Henryon had a Wizard of Oz-esque vibe to it, with all my friends being people in the world. This has long since been abandoned, with habit of giving my friends Henryon titles the last remnant). These characters help to flesh out Henryon. A few examples:

His Grace, Avram Richard Shannon, Grand Duke of Henryon, Bearer of the Silver Sword, Knight Associate of the Silver Sword, Legionary, with Crossed Swords, Knight Grand Morning Star after of Order of Sir Francis, Magus Latae

Now, that is the first Henryon title I ever made, and it has survived, largely unchanged for about fifteen years now. Many of the important elements in Henryon, such as the Knights of Sir Francis and Silver Sword derive from this particular bit of youthful silliness.

A couple of other titles:

His Grace, Soren Shim (Samuel Tomas Shannon), Baron of the Eleven Islands, Chief Emissary to the Court of Peculiarities, Knight of the Silver Sword, Master of Stars after the Order of Sir Francis, Magus Decreptos

Her Highness, Kirana Alorya (Thora Florence Shannon), The Golden Lily of the Valley, First Aloryan, Princess of Galleo, Lady of the Thousand Hills, Dame of the Silver Sword, Dame Commander of the Golden Lion, Magister Sylphi

I want to emphasize that although these titles are given to some of my closest friends and family, the characters that bear them in Henryon are only loosely based on their bearers in the real world. I only inclued their names afterwards as an indication of who they were initially conferred upon.

So, when you are being fabulist, how is your imagination sparked? Also, if you don't have a Henryon title, and would like one, let me know, and I'll see if I can't work something up for you.

If this post was not general enough, then be sure to tune in next week, where we will talk about Mythology. Until then:

Excelsior!

A Top Ten

My wife has been giving me a hard time for not writing more on this 'blog. And so it is that I have not been writing as much or as well as I could be. Certainly not the once a week that I hoped to when I re-booted this 'blog. I have a list of excuses (such as moving from England), but I merely hope that you accept my apologies. I also want to say how much I appreciate all of your comments. I'm not sure how I forgot the Earthsea books, but you are right, that is also a very compelling magic system.

Luckily, having waited so long to write I actually have several ideas of things to write. Today's is a variation on something from way back to last year, with the meme about 10 favourite books (I never was able to get that going--although I have a few more books now, such as To Kill a Mockingbird), but this time I am going to do it with fantasy. Not as profound perhaps as some of the lists which inspired this, but I first learned the fabulist's art in many of these books, so in some ways they provide a theoretical under-pinning for all of my writing on this 'blog. The books are arranged in a rough order, but nothing too scientific--this is fantasy after all.

The Lord of the Rings by J. R. R. Tolkien. I am doing, where appropriate, entire series, since fantasy is so often found in series. I will not say too much about the Lord of the Rings and Professor Tolkien, since you can read more of my feelings on the topic here, but suffice it so say that I love Middle Earth and it has had a great influence on me (being the one book both on this list, and on the slightly more serious one). Pride of place for this series goes to The Return of the King, I think because I like the appendices so.

The Chronicles of Narnia by C. S. Lewis. I suppose Jack and Tolkien get the top billing because I like them the most. In many ways Narnia is more important to me than Middle Earth, although Tolkien had an earlier influence on me. I always liked the Classical elements in Narnia (reading Narnia and Middle Earth actually does a pretty good job of indicating the scholar interests of their respective authors. Write what you know I guess). I love the youthful optimism in Narnia and the explicit religious overtones. My favourite book here is The Silver Chair. I love the questing nature of it, and Puddleglum is one of my favourite characters perhaps because I resemble him.

The Last Unicorn by Peter S. Beagle. This is the third book in my Big Three. There are other fantasy books (indeed, we will discuss many of them below), but these are the ones that most inspire me to my own fantasy, and have most stuck with me throughout my life. As I mentioned in my last post, the character of Schmendrick has always resonated with me (the fact that his name is Yiddish probably contributed to that). I read Lord of the Rings for its epic reminders about the battle between good and evil, and Narnia for its quiet message of hope and appreciation of the joys of childhood well into adulthood. The Last Unicorn is a bitter-sweet book. There is a line from Disney's movie The Great Mouse Detective in which Sherlock Holmes has what essentially amounts to a cameo (played by famous television Holmes Basil Rathbone). He and Watson are arguing about a radio program which Holmes wishes to listen to, and Holmes exclaims, "It is introspective, and I want to introspect!" I am like that sometimes, and The Last Unicorn helps fill that need.

The Prydain Chronicles by Lloyd Alexander. Extremely well-written Welsh-based fantasy. This series has one of the best and most realistic hero's journey I have ever read, especially in the book Taran Wanderer. Another high point of this book is the interactions between the protagonist, young Assistant Pig-Keeper Taran with the bonafied hero Gwydion, the son of Don in the early books. Gwydion remains the primary hero, but the actions of Assistant Pig-Keepers matter in the over all storyline.

The Phantom Tollbooth by Norton Juster. A different kind of fantasy than the others on this list so far (except that like the Prydain Chronicles and the Chronicles of Narnia it is a children's book), in that it isn't set in a Medievalish sort of world, but I love it anyway.

Jonathon Strange and Mr. Norrell by Susanna Clarke. This is the newest book on this list. It's a funny thing, but I don't like historical fiction. I think it's kind of a silly genre; but slap magic on it, and I love it. I love historical fantasy. Jonathon Strange and Mr. Norrell is not only historical fantasy, but it's a Napoleonic historical fantasy written in period style. It's a little slow getting into it, but it's certainly worth it.

The Wheel of Time by Robert Jordan. The Epic fantasy epic. This is a huge series of books; overwritten, massively long, and still brilliant. I've already mentioned the magic system in a previous post, so I won't get into it here, but these books are wonderful, especially the middle bit. There are twelve books in the series, or at least there will be when the last one is finished (may he rest in peace). The first three books comprise a trilogy starting the hero journey; the second trilogy is Rand (the main character) at the top of his game, the third trilogy is building the story, and the fourth will be the end. I like the second best. My favourite book is Lord of Chaos, although I think Fires of Heaven is the best.

The Chronicles of Amber by Roger Zelazny. For those of you who haven't real it, it's about this immortal family who rules over the "one true reality" - a world named Amber. All other worlds are reflections of this world. I love Zelazny's voice. It helps that this fantasy series has some very compelling characters, including the main character, Corwin, who's just really cool.

Charlie and the Chocolate Factory by Roald Dahl. Another non-medieval fantasy children's book. This book and The Phantom Tollbooth were my favourite books when I was growing up. I read them and again. I like most of what Roald Dahl does, but this is the best.

The Elenium by David Eddings. I didn't want to include these, since they are not up to the standard of most of the other books on this list. However, I have been recently rereading them, and I have discovered that much of this series worked its way into my own fantasy workings (especially Henryon). Crusading knights and Church politics, even certain plot points coincide between these books and my own work. Not enough to qualify for plagiarism, but certainly a strong influence.


Honourable Mentions:

Terry Pratchett and the Discworld series. These are fun, but not didn't quite make the cut.

Robert E. Howard's Conan. I love Conan. My brother hates him, but this because instead of having a barbarian in his soul, like the rest of us, has a Puritan in his soul.

I wasn't sure if these were cricket, since they were Science Fiction, but I wanted to include them as an appendix.

Starship Troopers by Robert A. Heinlein. All my life I intended to serve in the military. I grew up in a military household, and I always sort of thought in the back of my head that I would do my part (this in spite of having no illusions about the actuality of military service). This book helped to fuel some of those ideas. In many ways this book is a collection of essays about citizenship and militarism combined with a rollicking-good adventure yarn.

The Hitchhikers Guide to the Galaxy by Douglas Adams. I don't like the rest of these as much, but this is a great read.


There you have it. Tell me what think of these books, tell me any favourites you have that I may have missed, and tune in in seven days for a discussion of imagination.

Longing for Home

So, today was the ward conference in the Oxford Ward. The theme was drawn from Paul, "That your faith should not stand in the wisdom of men, but in the power of God" (1 Corinthians 2:5). The general gist of the meeting was about man's spiritual nature, making sure that we didn't allow the general banality of our lives supersede and overcome our spiritual nature. Our Stake President discussed his roses, which he worked hard to prune and take care of, but which he hadn't yet appreciated. The Bishop, speaking on the same theme, took on Richard Dawkins (although not personally) and discussed the further idea that the only way to know things of God is from God (1 Corinthians 2:11 and 12), but because we are spiritual beings the Spirit can communicate with our spirit. It was a very intriguing Ward Conference, and one which gave me much cause to think.

Again and again, the idea was expressed that we were spiritual beings. The rogue Jesuit scientist Pierre Teilhard de Chardin was quoted by several of the speakers: "We are not human beings have a spiritual experience; we are spiritual beings have a human experience." A good quote, and reminiscent of the thought expressed in the Doctrine and Covenants, section 93, "For man is spirit. The elements are eternal, and spirit and element, inseparably connected receive a fulness of joy" (verse 33). Of course, D&C 93 deserves discussion on a 'blog dedicated to Latter-day Saint theology, and not a humble fantasy 'blog like this one (so why am I quoting it? Patience, friends, patience). I have often pondered over this idea of being spiritual beings sojourning on this earth.

What does all of this have to do with fantasy and therefore what place does it have on my 'blog. Well, in addition to merely discussing fantasy books, movies, et cetera, part of what I am doing is discussing theories about fantasy, at least from my point of view. My teachers in this are those two stalwarts, Jack Lewis and Prof. Tolkien, both of whom saw the impulse for fantasy derive from the same impulse of religion, and that on some levels it was their Christian understanding that they were spiritual beings that led to the writing of the fantasy novels for which they are most famous (although the Christianity is much more explicit in The Chronicles of Narnia than in The Lord of the Rings--however Tolkien's theory of sub-myths was the more developed, something which will come up in later posts).

The scriptures are replete with a longing for another kingdom, which is expressed by Paul (this 'blog is about fantasy not the Bible, so I can just say that Paul wrote this epistle without discussing authorship) in Hebrews: "and confessed that they were strangers and pilgrims on the earth. For they that say such things declare plainly that they seek a country" (Hebrews 11:13 and 14). In the Biblical text Paul makes it clear, of course, that the country which the faithful were seeking is Zion, the city of God. However, we all have in our hearts a certain sense that we don't really belong here, a sense which fabulists tie into.

It is not, of course my intention, to say that fantasy is on the same level of scripture (although I often quote Hugh Nibley, who once identified science fiction as "folk-scripture"). I am only expressing an idea, common to my masters in the fabulist arts, that we are looking for something else in our life. As a Christian and a Latter-day Saint I believe that this is a searching for God, because of our nature as spiritual beings, we are yearning for that which we left behind (this yearning is expressed perhaps most familiarly in Wordsworth's Intimations of Immortality and the First Epistle of John, "we love Him, because he first loved us" (1 John 4:19).

This yearning for another country took many forms in the myths and legends of the world (myth being the forbearer of fantasy--or fantasy perhaps being the poor cousin of myth). Of course, moderns idealize the myths, but I personally think there is nothing wrong with this. The Celts had their Summer Country, an Other World which eventually leads us to Faery and Elfland. The Renaissance humanists had their Arcadia, named after the abode of the great god Pan (the great god Pan is dead, but I am also in Arcadia), the true shepherd's paradise. And Paradise itself, modeled after a Persian pleasure garden, reminding us all that like Twain, we are headed back to Eden. Whether back to Eden or forward to the Summer Country, fantasy taps into this longing and feeling that we are "strangers and pilgrims."

For Lewis, fantasy, much like the myths which led him to Christianity, lead properly to the better country alluded to by Paul. For Tolkien, since all myth (including fictional myth like his) was essentially true, sub-creations made by sub-creator reflecting the glory of the Great Creator. Other fantasy writers do not feel this way, and they are welcome to, but I tend to agree with my masters, and ascribe fantasy to sub-creation. Certainly such thoughts give hope and validity to my own fantastic endeavors (such as my writing and my role-playing), so they may only be good for me, and not essentially true. I tend to disagree, but your own usage and experience will vary, of course.

Our final thought comes from Puddleglum in The Silver Chair:
"Suppose we have only dreamed, or made up, all those things - trees and grass and sun and moon and stars and Aslan himself. Suppose we have. Then all I can say is that, in that case, the made-up things seem a good deal more important than the real ones. Suppose this black pit of a kingdom is the only world. Well, it strikes me as a pretty poor one. And that's a funny thing, when you come to think of it. We're just babies making up a game, if you're right. But four babies playing a game can make a play-world which licks your real world hollow. That's why I'm going to stand by the play-world. I'm on Aslan's side even if there isn't any Aslan to lead it. I'm going to live as like a Narnian as I can even if there isn't any Narnia.... [W]e're leaving your court at once and setting out in the dark to spend our lives looking for Overland."

Thoughts or experiences with the Summer Country? Please share them in the comments.

Further Up and Further In!